Christian Bonnefoi

Christian Bonnefoi

Christian Bonnefoi

PL III, 1988-1990
Acrylic on canvas
62 15/16 x 51 1/8 in.

Christian Bonnefoi

Christian Bonnefoi

PL I, 1988
Acrylic on nylon
23 9/16 x 23 9/16 in.

Christian Bonnefoi

Christian Bonnefoi

Eureka VIII, 2012-13
Acrylic on nylon
23 9/16 x 19 5/8 in.

Christian Bonnefoi

Christian Bonnefoi

Eureka VIII, 2012-13
Acrylic on nylon
23 9/16 x 19 5/8 in.

Christian Bonnefoi

Christian Bonnefoi

Christian Bonnefoi
Eureka VIII, 2012-13
Acrylic on nylon
23 9/16 x 19 5/8 in.

Christian Bonnefoi

Christian Bonnefoi

Eureka VIII, 2012-13
Acrylic on nylon
23 9/16 x 19 5/8 in.

Christian Bonnefoi

Christian Bonnefoi

Hypérion I, 1, 1975
Pencil, paint and collage on paper
19 5/8 x 25 9/16 in.

Christian Bonnefoi

Christian Bonnefoi

Hypérion I, 3, 1974
Paint and collage on paper
19 5/8 x 23 9/16 in.

Christian Bonnefoi

Christian Bonnefoi

Hypérion I, 2, 1975
Collage and acrylic on paper
19 5/8 x 25 9/16 in.

Christian Bonnefoi

Christian Bonnefoi

Occasion, 1974
Pencil, paint and collage on paper
19 1/16 x 14 9/16 in.

Christian Bonnefoi

Christian Bonnefoi

Occasion, 1974
Collage, pencil on paper
14 9/16 x 18 7/8 in.

Christian Bonnefoi

Christian Bonnefoi

Occasion, 1974
Collage, pencil on paper
8 1/4 x 10 5/8 in.

Christian Bonnefoi

Christian Bonnefoi

Occasion, 1974
Collage, pencil on paper
9 x 7 7/16 in.

Christian Bonnefoi

Christian Bonnefoi

Occasion, 1974
Collage, pencil on paper
9 x 7 7/16 in.

Christian Bonnefoi

Christian Bonnefoi

Occasion, 1974
Collage, pencil on paper
8 1/4 x 7 1/16 in.

Christian Bonnefoi

Christian Bonnefoi

Occasion, 1974
Collage, pencil on paper
8 1/4 x 10 5/8 in.

Christian Bonnefoi

Christian Bonnefoi

Occasion, 1974
Collage, pencil on paper
9 7/16 x 12 9/16 in.

Christian Bonnefoi

Christian Bonnefoi

Christian Bonnefoi

Christian Bonnefoi

Eureka V, 1996
Acrylic on canvas
70 13/16 x 62 15/16 in / 180 x 160 cm

Christian Bonnefoi

Christian Bonnefoi

Geometric 2, 2009
Collage and acrylic on silk paper
70 13/16 x 55 1/16 in / 180 x 140 cm

Christian Bonnefoi

Christian Bonnefoi

Eureka 8, 2009
Acrylic on nylon
98 3/8 x 78 11/16 in / 250 x 200 cm

Christian Bonnefoi

Christian Bonnefoi

Eureka 1, 2008
Acrylic on nylon
98 3/8 x 78 11/16 in / 250 x 200 cm

Christian Bonnefoi

Christian Bonnefoi

Eureka V, 1996
Acrylic on canvas
70 13/16 x 62 15/16 in / 180 x 160 cm

Christian Bonnefoi

Christian Bonnefoi

Eureka V, 1996
Acrylic on canvas
70 13/16 x 62 15/16 in / 180 x 160 cm

Born in 1948, Salindres, FR
Lives and works in Gy-les-Nonains and Paris, FR

Solo exhibitions

2015
Matmut pour les Arts, Saint Pierre de Varengeville (forthcoming)
Galerie, Oniris, Rennes (forthcoming)
Galerie Jacques Elbaz, Paris (forthcoming)
Galerie DX, Bordeaux (forthcoming)
Variations, Base Sous-Marine (art center), Bordeaux

2014
The Other Side and In Between, (with Ana Cardoso), Longhouse Projects, New York, NY
Christian Bonnefoi, Ginza Maison Hermes at Le Forum, Tokyo, JP

2013
Hello Mr. Matisse, Museum of Contemporary Art in Nice, FR
Christian Bonnefoi, Galerie Jacques Elbaz, Paris, FR
Christian Bonnefoi, Galerie Helene Trintignan, Montpellier, FR
Christian Bonnefoi: Recent Paintings and Collages, Don Luis I Foundation, Cultural Center of Cascais, Portugal

2012
Sliding Doors, Museum of Modern Art in Ceret, FR
Eureka, Domaine de Kerguehennec, Bignan, FR
Back to Back - Christian Bonnefoi, Musée Matisse, Le Cateau-Cambresis, FR
Galerie Jeane Bastien, Brussels

2011
Christian Bonnefoi – Recent Works, Galerie Jacques Elbaz, Paris, FR
Galerie Oniris, Rennes, FR
La Borne, Chinon, FR

2010
Dos, 1974–2009, Galerie Jacques Elbaz, Paris
2010: New Paintings, Riva Yares Gallery, Santa Fe and Scottsdale, New Mexico, USA

2009
Galerie Rosa Turetsky, Geneva, CH
Christian Bonnefoi, Musee d’Art modern et d’Art contemporain de la Ville de Liege, Belgium
Christian Bonnefoi at La Verriere, Foundation d’enterprise Hermes, Paris, FR
Una mostra in due luoghi, Temple University and Casa delle Letterature, Rome, IT
Christian Bonnefoi, Monos Gallery, Liege, Belgium

2008
The Appearance of Visible, MNAM-Centre Georges Pompidou, Paris, FR
Christian Bonnefoi, Galerie Oniris, Rennes, FR

2007
Eureka, Galerie Jacques Elbaz
Chapelle Saint-Nicolas, L’art dans les chapelles, Pontivy, FR

2006
France Font Gallery, Montpellier
FIAC, Galerie Oniris, Paris

2005
Museum of Sens, FR
Museum of Fine Arts, Orleans, FR
Galerie Baudouin Lebon, Paris, FR
Galerie Franch Font, Montpellier, FR
Beatus, Contemporary Art Centre G. Fayet, Serignan, FR

2004
Galerie des Remparts, Toulon, FR
Gallery of Fine Arts, Toulon

2003
The Terminal, Central Region
Gallery Xin Dong Chen, Beijing, China

2002
Galerie de France, presentation du livre ed. Janninck
Galerie Oniris, Rennes

2001
Gallery Beaucaire, Gard, FR
Hyperio IV, Galerie Jacques Elbaz, Paris
Gallery Turetzky, Geneva, Switzerland
Leblanc Workshop, Paris

2000
Gallery Vitry
Workshop Cantoisel, Joigny
Gallery Oniris, Rennes
Museum of Fine Arts, Guangzhou, China

1999
Jean Maiden Fine Art, Columbus, Ohio, USA
Galerie de France, Paris

1998
Clara Rainhorn Gallery, Brussels, Belgium
Turetzky Rosa Gallery, Geneva, Switzerland
Rosenberg and Kaufman Fine Art, New York, NY
Christiane Chassay Gallery, Montreal, Quebec, CAN
Gallery Oniris, Rennes
Centre for Contemporary Art G. Fayet, Serignan
Jan Maiden Fine Art, Columbus, Ohio

1997
Another Museum, Brussels, Belgium
Theo Waddington Gallery, London, UK
Dourven Gallery/ Galerie du Dourven
Museum of Bourges, FR
Gallery Oniris, Rennes
Works by Christian Bonnefoi, Gallery of the Central Academy of Fine Arts, Beijing, China

1996
Museum of Riom, FR
PAB Foundation, Ales, FR
Galerie de France, Paris

1995
Villas and Castles, Bordeaux
The Square gallery, Lille, FR
Galerie de France, Fair Chicago, Illionis, USA
Recent Paintings, Anandale Gallery, Sydney, Australia
Gallery Oniris, Rennes
Centre for Contemporary Art, Montbeliard, FR
Museum of Evreux, Tourcoing

1994
Musee des Jacobins, Morlaix
Prophets, Gallery Regards, Paris, FR

1993
Galerie Oniris, Rennes, FR
La strategie du tableau, Alfredo Melgar Gallery, Madrid, Spain
The Harrison Gallery, Florida, USA

1992
Galerie Regard, Paris

1991
Galerie Regard, Paris
Annandale Gallery, Sydney, Australia

1990
Recall: 4 is the movement internal to the trinity – 1988. If 1 and 2 make up a caesura’s two faces, one turned towards the side of shadow, the other towards a glance, 3 is the caesure itself, the picture, in the Trinitarian organization (1, 2, 3) of the ground cross by 4’s flash of lightning (1989–1990), Galerie Regard, Paris

1989
Milburn + Arte, Gallery Sydney and Brisbane

1988
The Botanist without a Master, Museum of Fine Arts, Orleans, FR

1987
Milburn + Arte Gallery, Sydney, Australia

1986
But how, Robert said to himself, can one see things for the first time as if it was the second, Arte Production, Paris

1985
Under a Double Janusian Equation, FIAC, Galerie Regard Gallery, Paris

1984
The Weapons of Achilles, Galerie Regard, Paris / Wewerka Gallery, Berlin, DE

1982
E. Franck Gallery, Knokke, Belgium

1981
He who from the top of Aetna casts his eyes leisurely around, is affected chiefly by the EXTENT and DIVERSITY of the scene. Only by a rapid whirling on his heel could he hope to comprehend the panorama of the sublimity of its Oneness. But as, on the summit of Aetna, no man has though of whirling on his heel, so no man has ever taken into his brain the full uniqueness of the prospect; an so, again, whatever considerations lie involves in this uniqueness have as yet no practical existence for mankind (Eureka, E.A. Poe), Jean Fournier Gallery, Paris

1980
P.S.1, New York, NY

1979
Von der Veranderung dreier Zwange – der oberflache der Sterke, des Teilung unterstutz die form zur Verwirklinchung eines neuen Korpers, Ricke Gallery, Cologne, DE

1978
Hiperion, Ricke Gallery, Cologne, DE

1977
Fragments of Hiperion, Piltzer Gallery, Paris

Group exhibitions

2014
10 ans d'acquisitions contemporaines, Musée Henri Matisse, Le Cateau-Cambrésis, France
L’Usure, tussen sleet en woeker, organized by Amélie de Beauffort and Pierre Baumann, Centre d'art De Markten, Brussels, Belgium
This is not a museum, Fondation Maeght, Saint Paul de Vence, France
Busan Biennial, Busan Museum of Art, Busan, South Korea

2013
Museum of Contemporary Art in Nice, FR
Bonnefoi, Frydman, Hantai, Pincemin, Roan, Galerie Jacques Elbaz, Paris, FR
Transition Colors: Cialliat, Antoniucci, Bonnefoi, Galerie Oniris, Rennes, FR

2010
Bonnefoi, Farb, Frydman, Pincemin, Galerie Jacques Elbaz, Paris, FR

2007
16th edition of Art in the Chapels: Contemporary art and religious art, Pontivy, FR
Factory(s) place: Christian Bonnefoi, Richard Deacon, George Rousse, Amilly. FR

2006
Art Paris, Galerie Veronique Smagghe, Paris, FR
Paintings / Malerei, Martin Gropius Bauhaus, Embassy of France, Berlin, DE
Collection, Contemporary Art Center G. Fayet, Serignan, FR
Paintings Ideas - Hommage to Martin Barre, Galerie Nathalie Obadia, Paris, FR

2005
Art Paris, Galerie Veronique Smagghe, Paris, FR
16th/17th Century Italian Sketches & Present-Day Parallels, organized by Philippe-Alain Michaud; Graphic Art Gallery, Centre Pompidou and Chapel Room, Louvre Museum, Paris, FR

2003
Art Paris, Galerie Veronique Smagghe, Paris, FR
Strata Square Sainte-Anne, Montpellier
Holidays, Museum of Fine Arts, Orleans, FR
Galerie Veronique Smagghe, Paris, FR
Royal Academy of Brussels, Belgium
Prints and Ceramics, Galerie Agart, Amilly, FR

2001
Resonances / Meetings with Dufrene and Villegle, Galerie Veronique Smagghe, Paris, FR
Crossings, Chateau de Dampierre, Valenciennes
Gallery Arena, Jesuit Chapel, Nimes, FR
Art Paris, Galerie Suzanne Tarasieve and Galerie Veronique Smagghe, Paris
As Painting: Division and Displacement, organized by Phillip Armstrong, Laura Lisbon, Stephen Melville, Wexner Center for the Arts, Columbus, Ohio, USA

2000
Art Paris, Galerie Veronique Smagghe, Paris
Paintings, Orleans, “The land where the sky is always blue, 20 Street Pastors.

1999
Art Brussels, Galerie Veronique Smagghe, Paris
Particular una collection, Museum of Art, Girona, Spain
Galerie de France, Paris
Paintings, painting is not a genre: Christian Bonnefoi, Monique Frydman, Bernard Joubert, Jean-Pierre Pincocemin, Francois Rouan, Musse des Jacobins, Morlaix, Museum of Brou, Bourg en Bresse; Museum of Fine Arts in Tourcoing

1998
Art Brussels, Galerie Veronique Smagghe, Paris, FR
Bonnefoi, Pincemin, Rouan, Galerie Jacques Elbaz, Paris, FR
Takeoff, Jan Maiden Fine Art, Columbus, Ohio, USA

1997
Trace Plan, ELAC, Lyon, Galerie Veronique Smagghe, Paris, FR
A Particular Collection, Museum of Art, Girona, Spain
French Paintings, Villa Medici, Rome
Castles for Contemporary Art, Villa and castles in Bordeaux

1996
Six Contemporary Artists, Wollongong, Australia
Contemporary Art Center, Orleans, FR

1994
Bonnefoi, Antolucci, Viallat, Galerie Oniris, Rennes
Margaret Lipworth Gallery, Miami, Florida, USA
Our 80, Contemporary Art Center, Montreuil, FR
Annandale Gallery, Sydney, Australia
Acquisitions of Contemporary Art Fund Departmental Seine-Saint-Denis, Hall Department, Bobigny, FR
Gesture to Trace, The Imaging Lannion, FRAC collections Bretagne

1993
The look of the musician, SACEM, Neuilly-sur-Seine
They cited Matisse, Galerie de France, Paris
Contemporary Art in France, a situation 1980 - 1993, Sofia, Plovdiv, Varna, Bulgaria

1992
Regards: Bonnefoi, Degange, Devade, Gerbaud, Joubert, Langlois, Matthey; Royal Academy of Fine Arts in Brussels

1991
New Presentation of the Permanent Collections, Museum of Fine Arts, Tourcoing

1990
The Adventure Collection Abstraction Najar-Obregon. Deutsch Foundation, Lausanne, FR

1989
Tears of Eros, Contemporary Art Center, Orleans

1988
Rome / Rodez, Musee Denys Puech, Rodez
The parables of the main boulevard: Bonnefoi, Caillere, Gerbaud, Joubert, Monvert, Greenhouse, Valay,Contemporary Art Center, Saint-Priest

1986
Off Trends, The Vivita Gallery, Florence and the Gulbenkian Foundation, Lisbon, Portugal

1985
Painting, Abstract Way: Bonnefoi, Farb, Frydman, Young, Pifaretti, Semeraro, Hotel de Ville in Paris

1983
Living form, Museums Pori, Helsinski, Malmo, Sweden
Hello Mr. Manet, Centre Georges Pompidou, Paris
Twenty years of painting in France from 1960 to 1980, Museum of Berlin, Dresden, DE
NELL’ARTE – Artisti Italiani Francesi and Villa Medici, Villa Medici, Rome

1982
Arte Fiera Internazionale di Arte Contemporanea, Bari
Carnegie Price, Modern Museum of Art, Pittsburgh, Pennsylvania, USA

1981
Baroque 81, ARC, Musee d’Art Moderne de la Ville, Paris
Drawing, Museum of Nuremberg, DE
JA NA PA, Galerie Jean Fournier, Paris
Nature drawing: Asse Bishop, Bonnefoi, Bour, Degottex, Dezeuze, Groborne, Hall, Lemosse, Mangold, Mostaheirt, Mouchas, Nicolas, Rouan, Shapiro, Song, Graphic Art Gallery, Centre Georges Pompidou, Paris

1979
Europa, Stuttgart, DE
Art trends in France 1968–1978/91 – The biases of Marcelin Pleynet, Museum of Modern Art of the City of Paris

1978
JA PA NA I, II and III, rue du Vieux Colombier, Paris

1977
10th Biennale de Paris, Museum of Modern Art of the City of Paris, FR
CM Gallery, Saint-Etienne, FR

1976
Arte Fiera, Bologna, Piltzer Gallery

1974
Galerie Jean Chauvelin, Paris

Public Collections

Musee National d’Art Moderne, Centre Georges Pompidou, Paris
National Fund for Contemporary Art, La Defense
Museum of Fine Arts, Tourcoing
Museum Morlaix
Orleans Museum
Contemporary Art Center G. Fayet, Serignan
Musee d’Art Moderne de la ville de Paris
Musee de Montbeliard
Museum of Sens
Gallery of Contemporary Art, Beijing
Musee de Beaux-Arts, Canton, Chine
FRAC, Bretagne
Fracs Picardie, Centre region, Brittany

Lectures

Pictural situation, Tate Modern, London, Royaume-uni, 11 December
Les Nouvelles Menines, Wexner Center for the Arts, Columbus, Etats-Unis, 2001

Monographs

2004
Doris von Drathen, Echo de l’existence, ed. Actes Sud

2002
Yve-Alain Bois, L’Epingle, ed. Xing Dong Chen

1997
Pierre Morel, Christian Bonnefoi, ed. Xing Dong Chen

1996
Tristan Temeau, Le Creuset du point de colle, Foundation PAB

1994
Ann Hindry, Christian Bonnefoi, ed. Musees de Morlaix, Evreux, Tourcoing, CAC Montbeliard

1992
Yve-Alain Bois, La Strategie du tableau, ed. Alfredo Melgar, Madrid, Spain

1988
Yve-Michel Bernard, Christian Bonnefoi, CAC Oreleans

Critical Writings

2002
Philip Armstrong, Series et apories, la peinture après le minimalisme, La Part de l’oeil, Brussels, Belgium

1999
Doris von Drathen, Schiffbruch als strukturalistische Strategie, Kunstforum, avril

1998
Georges Didd-Huberman, Eloge du diaphane, in Phasmes, ed. de Minuit

1994
Laurent Jenny, Tableau sans fond, Po&sie n° 68

Exhibition Catalogs

2002
Tristan Temeau, Christian Bonnefoi, Galerie Tarasieve

2001
Hyperion 4, Galerie Jacques Elbaz, Paris
As Painting: Division and Displacement, Wexner Center for the Arts, Columbus, OH
Christian Bonnefoi, Galerie Turetzky, Geneva, Switzerland

Books and collective catalogs

2001
Ouvrage de l’atelier, 1981–2001, atelier Cantoisel, Joigny

1991–2001
Gobelin, Beauvauis, Savonnerie, Dix annees de tissage

2000Christian Bonnefoi – Jean-Pierre Pincemin, muse d’Art contemporain de Canton, Chine, ed. Xin Dong Chen

Monographs, prefaces, articles and exhibitions on critiques

2008
Hindry, Ann. “Christian Bonnefoi: to find the back face of Matisse, build Babel” catalogue Christian Bonnefoi, The Appearance of Visible, ed. Gallimard Centre Pompidou.
Michaud, Philippe-Alain. “Inacheve / The identity surface and its destruction,” Christian Bonnefoi catalog, Gallimard Centre Pompidou
Schefer, Jean-Louis. “Question of the body,” Christian Bonnefoi catalog, The Appearance of Visible, ed. Gallimard Centre Pompidou

2004
Drathen, Doris von. “Echo of existence” and “Conversation” (with Christian Bonnefoi), in Christian Bonnefoi catalog, Beatus, ed Actes Sud.

2001
Armstrong, Philip. “Series and aporia” in painting after minimalism, Brussels, ed. Part of the Eye
Boddaert, Francois. “In the recent work of Christian Bonnefoi” Europe, No. 871–972, November-December, pp. 288–291

1999
Drathen, Doris von. “Christian Bonnefoi” Shiffbruch als strukturalistiche Strategy, Kunstforum, No. 144; March-April.

1998
Alberte, Grynpas Nguyen. “Christian Bonnefoi – Babel II, 3,” National Fund of Contemporary Art 1988, Paris, ed Ministry of Culture and Communication, Great Works and Form Bicentennial, ill.
Melville, Stephen. (Untitled) in Bonnefoi Books, New York, Rausenberg and Kaufman Fine Art

1997
Amstrong, Philip. “Introduction” in Christian Bonnefoi, Writings on Art ( 1974 – 1981), Paris, ed. Part of the Eye
Tremeau, Trisan. In catalog Bonnefoi, Neijing, Gallery of Fine Arts Institute, (with Fan Di’an)

1996
Tremeau, Tristan. “The crucible of glue” in Christian Bonnefoi catalog, Graphic Wors 1973–1996, Ales Foundation PAB

1994
Anonymous. “Christian Bonnefoi” Fine Arts, No. 122, April, p. 120.
Hindry, Ann. “The objective picture of Christian Bonnefoi” Art Press, March, p. 71–73, ill.
Lawrence, Jenny. “Table bottomless” Po & sie 68, ed. Belin, p. 119–121, ill.
Tremeau, Tristan. “Christian Bonnefoi – Sans Titre,” Ten years of acquisitions FRAM The Nord-Pas-de-Calais, ed. Conservative Association Nord-Pas-de-Calais, p. 274–275, ill. (Museum of Tourcoing)

1993
Bernard, Yves-Michel. “Christian Bonnefoi” Departmental Acquisition Fund for Contemporary Art; Seine Saint-Denis, 1992–1993. P. 18–19, ill.

1991
Giquel, Pierre. “Christian Bonnefoi” Art Press, No. 155, February, p. 106.

1990
Schefter, Jean-Louis. “Sfr #1 * “From the point of view of the artwork, Special Christian Bonnefoi”, Marseille, October, ill. (Texts by Christian Bonnefoi, Georges Didi-Huberman, Stanislas Breton, Paulin Paris,
Alain-Georges Huraut, Jean-Marc Pons, Bernard Laks and Pascal Dusapin

1988
Bernard, Yves-Michel. Untitled, in exhibition catalog Christian Bonnefoi. Botanist without a master; Orleans, Centre of Contemporary Art, ill.
Johnson, Anna. “Eros Emerges from a mattress”, Sydney Morning Herald, October 28.

1987
Johnson, Anna. “Christian Bonnefoi” Interior Architecture Australia, No. 15, p. 174–179, ill.

1986
Guegan, Stephane. “Christian Bonnefoi under the dome,” Le Matin, June 30, p. 31, ill.

1984
Couturier, Elisabeth. “Christian Bonnefoi” Art Press, No. 83, August, p. 74
Didi-Huberman, Georges. “Praise the diaphanous”, Artist, No. 21, p. 106–111 (included in Sfr, No. 1 1990, pp.12–25; Phasmes and in, Ed de Minuit, 1998.).

1981
Bois, Yve-Alain. “About Double blind,” three questions to Christian Bonnefoi “Review No. 408; May, p. 546–554
Claire, Stoullig. “The Impossible dimension” Art Press, No. 44, January, p. 22–23, ill.
Nadaud, Catherine. “The color stuck Bonnefoi Christian”, Liberation, January 20

1979
Bauduin, Wolfgang. “Ein Heiteres spiel” Kolner Kultur, May 4.

1978
Marlis, Gruterich. “Abstrakt poetisch” Kolner Kultur, February 2.

1977
Armstrong, Philip. (Untitled), exhibition catalog TheoWaddington Gallery, London
Beret, Chantal. “Christian Bonnefoi”, Art Press, No. 8, June, p. 22–23, ill.
Gilles, Plazy. “Christian Bonnefoi, Make painting” Le Quotidien de Paris, April 18

Personal Writings, interviews, conferences, films

2008
Diagramme-lexique, DVD, Ed. Gallimard / Centre Pompidou
"Elements for Glossary" in Christian Bonnefoi catalog, The Appearance of Visible, Graphic Art Gallery and Museum, Ed. Gallimard Centre Pompidou

2007
"Bau" (about photographs of Yves Guillot), new photos, No. 44, March-April, p. 146.

2005
“Conversation” (with Doris von Drathen) in exhibition catalog Christian Bonnefoi Beatus, Ed Actes Sud; p. 51 A71.

2003
Pictorial Location, conference, London, Tate Modern, 11 December 2002. Published in Location Pictorial, Paris, ed. Obsidiane, 2003.

2002
The in-the former through the object, Paris, ed. Janninck

2001
The new Las Meninas, conference, Columbus, USA, Wexner Center for the Arts, (unpublished)

1999
"Division Division", interview with Monique Zerbib, Chimera, No. 37, Autumn, p. 69–78.

1998
"Fioretti" conference, Brussels, Galerie Clara Rainhorn, (unpublished).

1997
“Collage” in Christian Bonnefoi: Writings on Art (1974–1984), Brussels, ed. Part of the Eye, 1997. Foreword by Philip Armstrong.

1996
"The objection is to the dark paint", in Christian Bonnefoi catalog, graphic works 1973–1996; Pierre Andre Benoit Museum, Ales, FR

1990
"Communication for the seminar" Sfr 1 Special Bonnefoi, Marseille, October, p. 6-11.
"The measure of distance", catalog Gilles Gally, Joigny, Cantoisel Workshop

1989
"Installation time," catalog Jean Delaunay, Orléans, Centre of Contemporary Art

1983
"The composition of the withdrawal, Mondrian's Workshop" Research and Drawings, Paris, ed. Macula; p. 60–61.
"Notes" in catalog Christian Bonnefoi, Roma 1981 - 1983, Rome, Villa Medici, ill ..

1982
"Louis Kahn and Minimalism" Objections No. 24. The Institute for Architecture and Urban Studies; MIT Press, p. 2–25.

1981
"About" double bind "- Three questions for Christian Bonnefoi Interview with Yve-Alain Bois," Review; No. 408, May, p. 546–554.
"Since my first works ..." Art Press, No. 44, January, p. 22.

1980
"The strategy of the table" at the Biennial Conference of Paris, 1980 (published in Reports and Documents; No. 3, 1980, p. 231–241).
"Barnett Newman, Conference Centre Pompidou, on the occasion of the exhibition Barnett Newman: drawings 1944–1969, Centre Pompidou, 14 November 1980–1984 January 1981 [unpublished]
"On the appearance of the visible", interview with John Clay and Yve-Alain Bois, Macula, No. 5–6, 1980, p. 194–228, ill.

1979
"The interior design in the inter-war period: Mallet-Stevens," "Louis Kahn and minimalism," Architectures, Visual Arts, ed. Corda, p. And pp 118–136 and pp. 189–232 (with John Clay, Yve-Alain Bois, Damisch and Nancy Troy). Objections included in No. 24, Spring 1981 Artists and nº19, April 1984.

1978
"Some points and Les Demoiselles de Pau, Roman painting," in JA NA PA, 1978, p. 9.
"The painting appears to be where stops" Art Actuel 78 Annual Skira, Geneva, ed. Skira, p. 74.

1977
"Oushebti" Inscriptions "Works on Paper", Paris, ed. Gallery Mollet-Viéville-Najar, p. 6–7.
"Folder Ryman. About the destruction of the surface entity, "Macula, No. 3-4, p. To be published in English in about Robert Ryman 163–166 (Critical Texts since 1967..edited by Vittorio Colaizzi; Riding House Publishing, London, 2008)
"The 10 rue Mallet-Stevens," AMC, No. 41, March, p. 23–27.
"Modern architecture and signs, review under the direction of Hubert Damisch, Jean Clay; Yve-Alain Bois, ed. Corda.

1976
"The function Albers" Macula 2, p. 88–93.
"Interview with Martin Barre" Documents 4, 1976 (reprinted in Martin Barré, ARC, Museum of Modern Art of the City of Paris, 1979, p. 41).

1975
"Space, practice time (on Martin Barre)," Paintings Theoretical Papers, No. 10–11, Fall, p. 186–188.

1974
"Collages" (1974), in Writings on Art (1974-1884), Brussels, ed. Part of the eye, 1997.

1973
"Rebeyrolle: the influence of signs," Chronicles of Living Art, No. 37, March, p. 18–19.
“Alvar Aalto, A flexible architecture,” Review No. 311, April, p. 342–347
"Equivocal" New Review, No. 4, June-July.
"The line de Chardin," Critique, No. 315-316, August-September, p. 679–690 (common text under the; direction of Hubert Damisch with Yve-Alain Bois, Jean-Claude and Jean-Claude Bonne Lebensztein).

1972
"Robert Mallet-Stevens, architect," The information in the history of Art, No. 5, November-December; p. 233-235.