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Artadia’s 15th Anniversary:
September 13 - October 25, 2014- Artadia’s 15th Anniversary
- Jillian Conrad
- Meg Cranston
- Bill Davenport
- Cayetano Ferrer
- Ryan Foerster
- Rachel Hecker
- Stanya Kahn
- Robbie Land
- Stephen Lapthisophon
- Margaret Lee
- Nicole Miller
- Helen Mirra
- Ramekon O’Arwisters
- Eamon Ore-Giron
- Brion Nuda Rosch
- Vaughn Elaine Sills
- Deb Sokolow
- Weston T Teruya
- Stephen Tourlentes
- Kerry Tribe
b. 1973 Boston, MA
Lives and works in Los Angeles, California
Education
2002
MFA, University of California, Los Angeles, CA
1998
Whitney Museum of American Art Independent Study Program, NY
1997
BA, Brown University, Providence, RI
Solo Exhibitions
2013
Kerry Tribe: Critical Mass, performance at Modern Mondays, Museum of Modern Art, New York
Kerry Tribe: Critical Mass, performance at Kadist Art Foundation, San Francisco
Studio #6: Kerry Tribe "Do You Know What Time Is?" Heidelberger Kunstverein, Heidelberg, Germany
2012
There Will Be ________, 1301PE, Los Angeles, CA
Kerry Tribe: Critical Mass, performance at Tanks, Tate Modern, London, UK
Kerry Tribe: Speak, Memory, The Power Plant, Toronto, Canada*
2011
Dead Star Light, Camden Arts Center, London
Dead Star Light, Modern Art Oxford, Oxford
2010
Dead Star Light, Arnolfini, Bristol*
Retrospective: Kerry Tribe, Migrating Forms Festival, New York
2009
H.M.,1301PE, Los Angeles
2007
Near Miss, Artspeak, Vancouver
Art Statements, Art Basel 38, Galerie Maisonneuve, Basel
2006
Rewind, REC, Berlin
Künstlerhaus Bethanien, Berlin*
Galerie Maisonneuve, Paris
2005
Here & Elsewhere, Lewis Glucksman Gallery, Cork
2003
Florida, Los Angeles Contemporary Exhibitions, Los Angeles
Bodybuilder & Sportsman Gallery, Chicago
1998
MWMWM Gallery, Brooklyn, New York
Group Exhibitions
2014
Catalyst: Contemporary Art and War, Imperial War Museum North, Manchester
Un Nouveau Festival, Centre Pompidou, Paris
Migrating Forms Film Festival, Brooklyn Academy of Music, Brooklyn
2013
Trapping Lions in the Scottish Highlands, Aspen Art Museum, Aspen
Images of an Infinite Film, Museum of Modern Art, New York
NYFF51: Views from the Avant-Garde, New York Film Festival, New York
57th BFI London Film Festival, London
Salon Der Angst, Kunsthalle Wien, Vienna
Either - Or, Nikolaj Kunsthal, Copenhagen, Denmark
Sound and Vision, Paris Photo Los Angeles, Los Angeles
Tiger Competition for Short Films, International Film Festival Rotterdam, The Netherlands
2012
Greetings from Los Angeles, Starkwhite, Auckland, New Zealand
True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Lo Bueno y Lo Malo, Galeria Nara Roesler, Sao Paulo, Brazil
Out-Of- , Michael Benevento, Los Angeles, CA; Galerie Dohyang Lee, Paris, France
2011
The Distance Between You and Me: Three Artists from Vancouver, Los Angeles and Guadalajara, Vancouver Art Gallery, Vancouver
The Limits, Kitchener-Waterloo Art Gallery, Kitchener
All of this and nothing, Hammer Museum / LAXART, Los Angeles*
Highways Connect and Divide, Foxy Production, New York
2010
Exhibition, Exhibition, Castello di Rivoli Museum of Contemporary Art, Turin*
2010: Whitney Biennial, Whitney Museum of American Art, New York*
One Room, One Work: Philippe Parreno, Kerry Tribe, Rirkrit Tiravanija, 1301PE, Los Angeles
Auto-Kino!, Temporäre Kunsthalle Berlin, Berlin*
How Many Billboards, MAK Center for Art and Architecture, Los Angeles*
A very, very long cat, Wallspace, New York
2009
Enonces, Musée d'Art Moderne et Contemporain de Strasbourg
talk talk, The Interview as Artistic Practice, Academy of Visual Arts [HGB], Leipzig
Kunstverein Medienturm Graz, Austria; Galerie 5020, Salzburg
2008
Idle Youth, Gladstone Gallery, New York
Re-enactments, DHC-ART Foundation for Contemporary Art, Montreal
Memory is Your Image of Perfection, Museum of Contemporary Art, San Diego
Multiverse, Claremont Museum of Art, Claremont
The Lining of Forgetting: Internal & External Memory in Art, Weatherspoon Art Museum, Greensboro
The Cinema Effect: Illusion, Reality, and the Moving Image Part II: Realisms, Hirshhorn Museum and Sculpture Garden, Washington DC
History Will Repeat Itself – Strategies of Re-enactment in Contemporary Art, CSW Centrum Sztuki
Współczesnej / Centre for Contemporary Art, Warsaw*
2007
History Will Repeat Itself – Strategies of Re-enactment in Contemporary Art, Hartware
MedienKunstVerein, Dortmund, & KW Institute for Contemporary Art, Berlin*
Doppelgänger, MARCO Museo de Arte Contemporánea de Vigo*
Moment Making, ARTSPACE, Auckland
Villa Photon, International Film Festival Rotterdam, 36th Edition, Rotterdam
Elephant Cemetery, Artists Space, New York*Exile of the Imaginary: Politics / Aesthetics / Love, Generali Foundation, Vienna*
Material for the Making, Elizabeth Dee Gallery, New York
2006
Happiness, Gagosian Gallery, 4th Berlin Biennial for Contemporary Art, Berlin
Draft Deceit, Kunstnernes Hus, Oslo
Down By Law, organized by The Wrong Gallery for the 2006 Whitney Biennial, New York
Werkleitz Biennale — Happy Believers, Werkleitz Biennale, Halle (Saale)
700% Plus KB Kunsthal Centenniale, KB Kunsthal, Copenhagen
2005
De Sculptura, Galerie Ruzicska, Max-Gandolph-Bibliothek, Salzburg
Contour II, 2nd Biennial for Video Art, Mechelen*
Over Sight, Center for Curatorial Studies, Bard College, Annandale-on-Hudson
2004
How Can You Resist?, LA Freewaves: 9th Biennial Festival of Film, Video and New Media, Los Angeles
2004 California Biennial, Orange County Museum of Art, Newport Beach*
Adaptive Behavior, New Museum of Contemporary Art, New York
Between You and Me, SculptureCenter, Long Island City
2048 km, Or Gallery, Vancouver*
2003
First Person, Mercer Union, Toronto
Pol-i-tick, Williams College Museum of Art, Williamstown
Echo Sparks, Ars Electronica Center, Linz
2002
Videodrome II, New Museum of Contemporary Art, New York
A Show That Will Show That a Show Is Not Only a Show, The Project, Los Angeles*
Alternate Routes, California Museum of Photography, Riverside
European Media Art Festival, Osnabrück
2001
Not Quite Myself Today, ASU Art Museum, Tempe
Drawn From L.A. (Home Is Where the Heart Is), Midway Initiative, St. Paul
Impakt Festival, Centraal Museum, Utrecht
2000
Leaving the Island: Pusan International Contemporary Art Festival, Pusan Metropolitan Museum of Art, Pusan
Fact-Fiction, Edith-Ruß-Haus für Medienkunst, Oldenburg*
D>Art.00, Sydney Film Festival, Sydney
1999
4ème Manifestation Internationale Vidéo et Art Electronique, Champ Libre, Montreal
Impakt Festival, Utrecht*
Selected Bibliography
2014
Martha Schwendener, “Phanstasms of an Analog Twilight” in The New York Times, Jan. 2 2014
2013
Matthew Goulish, “A Clear Day and No Memories: Neurology, Philosophy, and Analogy in Kerry Tribe’s H.M.” in art journal, Fall 2013
Andy Battaglia, “The Message is the Medium” in The Wall Street Journal, Sept. 6, 2013
Jody Zellen, “Kerry Tribe” in Artillary, Feb. 7, 2013
2012
Kevin McGarry, “Kerry Tribe’s ‘There Will Be ________’” in Art Agenda, Nov. 1, 2012
Sharon Mizota, “In video art, Kerry Tribe works through Doheny mystery,” in Los Angeles Times. Oct. 2012
Adler, Dan, “Kerry Tribe: Power Plant, Toronto, Canada,” in Frieze. Issue 149, Sept. 2012
Jori Finkel, “Artists Alison Saar, Kerry Tribe, William Leavitt are USA fellows” in Los Angeles Times, Dec. 2012
Leora Morinis, “Watching Audrey Think” in …might be good, Jan. 2012
2011
Brian Dillon, “Into the Abyss” in Sight and Sound, July
Kathleen Madden, “Critics’ Picks: Kerry Tribe” in Artforum.com, June
Skye Sherwin, “Artist of the week 139: Kerry Tribe” in The Guardian online, May 19
Mark Sheerin, “Kerry Tribe explores time, space and memory through film at Camden Arts Centre” in Culture 24 online, May 26
Courtney Barella, “Kerry Tribe’s Dead Star Light exhibition at Camden Arts Centre” in NW3 News online, May 19
Shana Nys Dambrot, “Kerry Tribe: Dead Star Light” in Flavorpill online, May 13
Rosalie Doubal, “Kerry Tribe: Dead Star Light” in Time Out London, May 26-June1
2010
Kerry Tribe, Dead Star Light (monograph), Arnolfini, Bristol; Camden Arts Centre, London; Modern Art, Oxford
Paul Teasdale, “Kerry Tribe at Arnolfini” in Frieze, October
Laura Cumming, “Kerry Tribe: Dead Star Light” in The Guardian, August 22
Chus Martínez, “Whitney Biennial” in Artforum, May
Dan Fox, “”Whitney Biennial 2010” in Frieze, May
Halle, Howard, “2010 Whitney Biennial” in Time Out New York, March 4-10
McGarry, Kevin, “2010: A Small Odyssey” in Rhizome News online, March 10
Holland Cotter, “At a Biennial On a Budget, Tweaking And Provoking” in The New York Times, Feb 26
Carolina Miranda, “Whitney Biennial: Three Must-Sees,” Morning Edition, WNYC, Februrary 25
Gloria Sutton, “Kerry Tribe,” in How Many Billboards? Art In Stead, MAK Center for Art and Architecture, Los Angeles
Suzanne Hudson, “A Very, Very Long Cat at Wallspace,” in Artforum, April
Scarlet Cheng, “Art is the message on these billboards,” in Los Angeles Times, February 20
Erica Zora Wrightson, “The Big Canvas,” in LA Weekly, Mar 18
2009
Martin Herbert, “Focus: Kerry Tribe” in Frieze, September
Michael Ned Holte, “Kerry Tribe at 1301PE” in Artforum, Summer
Catherine Taft, “Kerry Tribe, H.M. at 1301 PE” in Art Review, Summer
Tucker Neel, “Kerry Tribe at 1301PE” in Artlies, Summer
2008
Colin Browne, “The Frisson of Artifice,” in Retrospect, Artspeak, Vancouver
Karen Rosenberg, “Now You Percieve It, Now You Think You Do,” in The New York Times, August 22
Anja Bock, “Re-enactments, Montreal,” in Art Papers, March/April
Luke Heighton, “History Will Repeat Itself: Strategies of Re-Enactment in Contemporary Art,” in ArtReview, February
Robin Laurence, “A flash of near-totalled recall,” in Georgia Straight, Jan 3-10
2007
Kerry Tribe, Althea Thauberger, Melanie O’Brian, “Make-Up: Conversation about Medium,” in X-Tra, Fall
Gloria Sutton, “Kerry Tribe,” in Ice Cream, Phaidon Press, London
Parveen Adams, “Art in the Time of Repetition,” in Exil des Imaginärin: Politik / Äesthetik / Liebe (Exile of the Imaginary: Politics / Aesthetics / Love), Generali Foundation, Vienna
Juli Carson, “Exile of the Imaginary: Politics / Aesthetics / Love,” in Exil des Imaginärin: Politik / Äesthetik / Liebe (Exile of the Imaginary: Politics / Aesthetics / Love), Generali Foundation, Vienna
2006
Kerry Tribe: Recent History (monograph), American Academy in Berlin, Berlin
Power Ekroth, “Draft Deceit,” in: Frieze, June-August
Candice Breitz, “Artist’s Favourites,” in Spike, Summer
Silke Hohmann, “Monopol Watchlist: Fünf junge Künstler, die uns aufgefallen sind,” in Monopol, June-July
Miranda Robbins, “Kerry Tribe” for “Focus Los Angeles” in Flash Art International, January/February
2005
Sophie Ekwe-Bell, LA Artland, Black Dog Publishing, London
Jan Tumlir, “California Biennial,” in Artforum, February
2004
Christopher Knight, “Biennial Arrives and So Does a Museum,” in Los Angeles Times, October 12
Kenneth Johnson, “Adapting and Constructing in a Dizzily Changing World,” in The New York Times, September 24
Daniel Adler, “Kerry Tribe at LACE,” in Art in America, September
Holly Myers, “Itineraries,” in Los Angeles Times, August 20
Michael Ned Holte, “Critic’s Pick: Itineraries,” in Artforum.com, August 2
Eve Wood, “Kerry Tribe,” in Artweek, February
Anne Lesley Selcer, “Somewhere Else,” in Goin’ Solo, Or Gallery, Vancouver
2003
Christopher Knight, “Around the Galleries,” in Los Angeles Times, December 26
Bill Stamets, “Kerry Tribe: Critic’s Choice,” in The Chicago Reader, April 18
Leslie Dick, Sharon Hayes, Mary Kelly, Kerry Tribe, “Something Like a Bridge: A Conversation on the Occasion of ‘Gloria: Another Look at Feminist Art in the 1970s’” in X-Tra, Spring
2002
Rita Gonzales, “Kerry Tribe’s History/Detour,” in Independent Film & Video Monthly, July
Miranda July, “Let’s Walk Together,” in Independent Film & Video Monthly, July
Ann Klefstad, “Drawn From LA,” in New Art Examiner, March-April
2001
Robert Pincus, “Life As We Know It,” in San Diego Union-Tribune, December 5
Frederico Windhausen, “Unpacking,” in Zing Magazine, Winter
1999
Claire Daigle, “Kerry Tribe,” in New Art Examiner, December-January
Selected Awards, Fellowships and Residencies
2013
Artadia Fund for Art and Dialogue Awardee
2012
United States Artists Fellow
Creative Capital Grantee
2006
Guna S. Mundheim Fellow, American Academy in Berlin
Artist in Residence, Kunstlerhaus Bethanien, Berlin
2005
Louis Comfort Tiffany Foundation Awardee
2003
Artists’ Resource for Completion Grantee, The Durfee Foundation
Associate Artist, Atlantic Center for the Arts Residency, Florida
2001
Hoyt Scholarship, Department of Art, UCLA
1999
Clifton Webb Fine Arts Scholarship
Darcy Haymen Award, Department of Art, UCLA
Teaching
2013
Visiting Faculty, Department of Art, California Institute of the Arts, Santa Clarita, CA
Visiting Faculty, Department of Art, Art Center College of Design, Pasadena, CA
2012
Visiting Faculty, Department of Art, Art Center College of Design, Pasadena, CA
2010
Visiting Lecturer on Visual and Environmental Studies, Harvard University, Cambridge MA
2008-09
Visiting Faculty, Department of Art, California Institute of the Arts, Santa Clarita, CA
2006
Visiting Faculty, Department of Art, California Institute of the Arts, Santa Clarita, CA
2004-05
Visiting Faculty, Department of Art, Art Center College of Design, Pasadena, CA
2003
Visiting Faculty, Department of Art, Chapman University, Orange, CA
Selected Public Collections
Museum of Modern Art, New York, USA
Whitney Museum of American Art, New York, USA
Hammer Museum, Los Angeles, USA
Generali Foundation, Vienna, Austria
FRAC Pays de la Loire, Carquefou, France
FRAC Limousin, Limoges, France
Orange County Museum of Art, Newport Beach, USA
Stedelijk Museum voor Actuele Kunst, Ghent, Belgium