Max Warsh

Max Warsh

Max Warsh

Nine Impediments, 2012
Photographs on panels in frame
27 x 36 in / 68.58 x 91.44 cm

Max Warsh

Max Warsh

Strike Slip, 2013
Photographs and acrylic on panel
24 x 20 in / 60.96 x 50.8 cm

Born in Henniker, NH
Lives and works in Brooklyn, NY

Education

2004
MFA, University of Illinois at Chicago

2002
BA, Sarah Lawrence College, Bronxville, NY

2001
Middlebury College School in Russia, Irkutsk, Russia

Selected exhibitions

2013
Peripheral Prose, Longhouse Projects, New York, NY
Max Warsh: BILDER, toomer labzda, New York, NY

2012
Swamp, curated by Kari Adelaide, Poe Park Visitor Center, New York, NY
Shaun Flynn, David Ostrowski, Max Warsh, Shoot the Lobster, New York, NY
Regina Rex: Part One, Eli Ping, New York, NY
Max Warsh and Vanesa Zendejas, SOFA, Austin, TX

2011
CHILDERS/WARSH, New Capital, Chicago, IL
Remnants, Werkhaus, Brooklyn, NY

2009
ANCIENT, C.R.E.A.M. Projects, Brooklyn, NY

2008
I AM I A KILLER, Sam Lee Gallery, Los Angeles, CA

2007
Jean Robison and Max Warsh, Me and You Variety Candy, Los Angeles, CA
Night Light, Slab Projects, Glendale, CA
The Pyramid Show, Monte Vista, Los Angeles, CA

2004
Formfit: State Style, Great Space, University of Illinois at Chicago
MFA Thesis Exhibition, Gallery 400, Chicago, IL

2003
Video: I Like, Sonnenchein Gallery, Lake Forest, IL
Formfit, Great Space, University of Illinois at Chicago

2002
New Photographs, Bates Gallery, Sarah Lawrence College, Bronxville, NY

Curatorial

2010-present Co-founder and curator, Regina Rex, Queens, NY

Bibliography

Schlesinger, Kyle, “Putting Things Together,” …might be good, issue #191, June 2, 2012.
Biel, Kim, “I AM I A KILLER at Sam Lee Gallery,” Artweek v. 39, issue 8, October 2008

Writing

“Siebren Versteeg: On Good Behavior” cat. entry for New. New York. Vienna: Essl Museum, 2012
“Lewis Baltz” and “Hiroshi Sugimoto” entries for This Is Not to Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles. Los Ange-les: Museum of Contemporary Art, 2008.
“Digital Image Overload: Museums in Transition,” with Lynda Bunting, Visual Resources Association Bulletin v. 35, no. 2 (Summer 2009).